Thursday, May 31, 2018

Farm Planning: Planning the Farm on Paper

We closed on land in Manitoba in early 2016 and have been living in Yellowknife, NWT since then. As a result of this technicality, paper planning has been the primary feature of our farm life thus far. Our paper planning has been fairly extensive over the last two years and while nothing physical exists I have still learnt several very important lessons as a result of the planning process.
(Mr. Frank Silver, June 2016) 

Expect a Large Learning Curve
As my experience with indoor composting worms highlights, all new projects come with a steep learning curve. It is important to anticipate and react to this learning curve to prevent discouragement when projects do not go as planned.

Limitations of Paper Planning
There will be unexpected realities when attempting to follow any plan - no matter how detailed. I like to plan some flexibility into the official paper plan to accommodate these unexpected realities. Accepting the limits of paper planning allows one to embrace changes as new information is presented.

(The land, April 2018) 

The Importance of Permaculture
Even though we have yet to begin a farm project, I have embraced the importance of permaculture. I research and detailed an Angora rabbit plan to begin in Fall 2018 but soon discovered that if the rabbits exist outside of a permaculture system the cost of inputs and the problem of their outputs results in an expensive, time consuming and unnatural system. Instead I opted to delay the rabbit purchase until they can exist within a permaculture system which will be more beneficial overall.

There is a time and a benefit derived from paper planning, I am excited to begin projects IRL!


Tuesday, May 15, 2018

Review: Grow Curious

I have been following Gayla Trail since the early 2000s - well before my first gardens and have most of her other gardening books which I enjoy for their generally approachable gardening advice. As a result of this I was quick to jump on the kickstarter for her 'garden activity book for adults' which is called 'Grow Curious'.


This book has 199 activities that are separated by season as well as by 'tags' such as inspire, explore, and create. The tags seem to cover overlapping topics so they are not much help when attempting to identify activities by type. Some activities include several pages of personal essays, art, and/or additional information while some are simply a sentence followed by a page of empty white space. Most of the activities relate strictly to the five senses with the addition of an artistic exploration and a lot of the activities require you to simply 'note' something. This book is aesthetically pleasing with a lot of wonderful garden related quotes.

Overall, I do not find this book very inspirational. I would rather it was a series of personal essays that inspire related activities rather than a series of very similar activities. The chosen quotes and personal essays that are included relate to the author's relationship to the garden which leads me to think that a book of garden essays from Trail would be a joy to read.

Monday, April 30, 2018

Filet Crochet Bookmarks


I love purchasing craft supplies at thrift stores but this means that I usually have spools of crochet cotton with an unknown amount of yardage left. I recently discovered the meditative nature of filet crochet and have been making simple geometric patterns for use as bookmarks or ribbons.

Repeat pattern until finished piece measures 7-9 inches for bookmarks and anywhere from 12-52 inches for ribbon - depending on use.

Chain 21.

‘x’ - ‘closed’ filet crochet stitch

‘   ‘ - ‘open’ filet crochet stitch


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Sunday, April 15, 2018

Review: The Garden In Winter By Rosemary Verey

I grew up on the Canadian prairies, spent a decade in the relative warmth of Toronto's southern winters, and have since moved to sub-arctic Yellowknife. I missed winter's crystal beauty. Our next move is back to the Canadian prairies so winter will be a part of my life for a long time to come.

In researching prairie garden design, I often read plant descriptions that included details regarding the plant's appearance into late fall or early winter. I then began to think about garden design with winter's beauty in mind. When the Canadian prairie winters last so long, it seems vitally important to have beauty in your garden even - or especially - in the dead of winter.

This spurred my purchase of The Garden in Winter by Rosemary Verey which was published in 1988. This book has gorgeous, inspirational photography as well as many beautiful descriptive paragraphs. This book is a must purchase if you need to learn to love winter - or if you already do.

"If your garden looks good in winter, 
you belong to a select band capable of bending nature to its will" - Verey


"I began to realise that the structure of my garden is even more important in winter than in other seasons, because the bones become apparent and the eye is not distracted by beguiling planting. So the framework of my garden had to be set in winter. Paths, walks, hedges, allees, vistas, all would determine its form. I also had to realise that winter's beauty - clear and spare - is quite different from the freshness of spring blossom, the lushness of summer flowers or the richness of autumn leaves" - Verey

The key to winter garden design, according to Verey, is to view each plant, tree or shrub as it would appear each season which is more demanding at the onset but also more rewarding overall because doing so offers a garden that can be enjoyed year round. Planning a year round garden requires a new appreciation of plant beauty in all its forms - leaf, berry, flower. 


"Planning the garden to take into account of winter requires an overall framework and ground plan, as well as a planting scheme. The framework is provided by the vertical elements - hedges and walls and fastigiate trees - and the ground plan by paths, border shapes and lawns. These are the permanent feature that remain more or less the same each season of the year, but whose character is more apparent during hte winter, when colour distracts less. This is the structure of the garden and it must be considered for its effect in summer as well." - Verey 

Verey discusses how to plan and enjoy the winter garden with all of one's senses even the surprising ones such as smell. The next chapter details the beauty of various winter garden colours and how to use and add those colours to your own garden. 


"Winter colour is nature's most sophisticated palette - a range dominated by subtle tones, sombre contrasts and striking highlights. As shades of autumn give way to gentler winter hues, it is as though a hand has bleached the canvas. Perhaps the most dramatic change comes with the loss of deciduous leaves - horizons extend and foreground diminish as surfaces all over the garden emerge from summer seclusion and concealment. Many of the trees and shrubs appear skeletal after the lushness of their summer growth and yet it is these newly shorn textures and stripped torsos that become the background colour of the garden. Whereas before it was the flaming reds and burning golds, now it is the gentler fawns and purples and the multitudinous browns and greens that dominate. For the winter gardens, the challenge is to enhance and build upon this mellow array." - Verey 

A plant profile section finishes out the book where Verey states that she has chosen 'the plants in the following pages for the beauty of their winter bark, foliage and flowers and for the colour, scent, form and texture that they bring to the garden throughout the year." 

After devouring this beautiful and inspiring book, I could not help but notice winter garden beauty on my regular dog walking route. The grey of landscaping rock, the stark white of birch bark, the natural wooden twig fence, the snow covered shrub with tiny seed clusters, and the chipped white picket fence. The range of texture, shade and colour made for a beautiful winter garden. 




Saturday, March 31, 2018

Review: Garden Voices

Here are some of my favourite quotes from "Garden Voices Two Centuries of Canadian Garden Writing" edited by Edwinna Von Baeyer and Pleasance Crawford. While some of the older writings included in this collection are dry and uninspired there are a few great pieces of writing. This was a wonderful winter read! 


"We think of plant communities as peaceful. They're not of course: they're battlefield that seem calm only because the skirmishes are fought in silence and slow motion, often underground. A garden is just a lull in the warfare, and it exists only as long as the gardener's authority lasts. We're the arbiters, the little gods. It's a tough job." - Elspeth Bradbury, 1994



"Apple trees were a first demand of Chipman, Winslow and others when they established themselves in New Brunswick. This was for a very good reason - rum and spruce beer were cheap and plentiful, but in gentlemen's houses tastes ran to the more costly and scarcer wine and cider." - J. Russell Harper, 1955

"I believe my brother farmers are the losers by neglecting the garden. I know that I have lost by such neglect, and by the well-known rule, judge others by myself. The garden pays full as well as the field." - A Canadian Farmer, 1859
"One mistake so many people make in laying out a garden is to put it all in front of the house in a series of stiff little beds, which have no artistic beauty about them. Try instead taking the already beaten lines of travel, which have been made by the tramping of feet to and fro, from the barn to the house, from the well to the house. These paths will, probably, have some pretty curves to them, unless the ground surrounding your house is absolutely level and the distance to be travelled very short. In any case try broadening them out wide enough for two people to walk abreast and then make a wide flower border on one or both sides..." -Mary Irene Parlby

Thursday, March 15, 2018

Release your Zine: Motivation and Success

Tough Talk about Motivation
Sometimes as writers and creators we feel as though we should create a certain item and for zine makers that sometimes manifests as 'I should make a zine about x.' However you need the motivation to actually work on (and complete) that zine otherwise it will languish on your to-do list for months. If you would rather exercise, watch Supernatural, read, craft, cook or ___ then work on your zine then your motivation for that zine topic is lacking.

Choosing a topic
Most zine makers have a lot of ideas for zines and there are two considerations when narrowing down potential zine topics. The first is related to perfectionism. We think 'This topic is great! It will be so fun to make BUT if I wait until my skill in relation to x is more advanced than the whole zine will be that much better. I'll wait...' This reasoning results in you not actively practising that skill AND avoiding a zine topic that you love. One of the wonderful consequences of the small print and distribution numbers of zines is that you can easily re-release updated versions of past zines. You can remake the same issue. You can stop distributing an outdated zine. You can change your pen name and pretend you never released that zine! The second consideration when choosing a  zine topic related to your motivation regarding that zine topic in relation to how much time you have available to spend on zine making. If your zine making time is frequently occupied and at odds with time spent on other hobbies, consider making a zine about that hobby - thereby killing two birds with one stone.

My 'Tatting Basics' zine is a zine related to my hobby of Tatting.  

Creating Content
Content creation is probably the biggest worry for new new zine makers and the topic that is hardest to give advice on because so much of content creation is entirely reliant on the individual. If you gave the same zine topic to 50 zine makers, the content of all the resulting zines would be unique. The most important thing to remember concerning content creation is... done is better than perfect. If you are motivated and excited to write about monsters in space then do it - even if you struggle with layout or only have enough content for a mini zine. The process of creating the zine you want to create is a valid reason for creating it.

Layout
There are as many ways to layout a zine as there are zine makers. Finding your zine style is a just a matter of trail and error. My first zines took ages to do the layout for and the end product wasn't that good! But as I use the same layout style for every zine, I can now go from a finalised computer file to a zine that is copied and collated in a few - relatively stress free - days. My layout style does not change from zine to zine which may or may not be true for you. I write, edit and organise content in a computer file, then print out and cut-and-paste the content into a layout which is then copied and collated into the final zine format.

I encourage you to create content in a format you are comfortable with. 


'Winged Snail Mail' is my oldest - and longest running zine series. 

Distribution 
It can be fun to create zines for your own benefit and enjoyment but distribution is a fulfilling part of zine making as well. Increasing the distribution of your zines can help make zine making a monetarily self-sufficient hobby. Most folks start making zines as a creative hobby and understandably do not keep accurate records. As you move your zine making from strictly hobby toward a more monetarily self-sufficient hobby it becomes important to audit your zine situation in order to accurately describe where you are and help you make decisions that reflect your future goals. An audit is simply a realistic examination and description of your current zine situation.

How much does it cost to photocopy one zine?
How much does shipping cost per zine? (domestic and international)
How much are your selling platform fees? (etsy fees, paypal fees)

How many copies of your last issue did you produce?
How many copies do you currently have in stock?
How many did you trade? What was the cost of trading?
How many did you give away?
How many did you sell?

Are you breaking even on your zine production costs?
Are you breaking even on your zine distribution costs?
How can you reduce zine related costs?

The Definition of Success
It is beneficial to have a clear view and definition of what a 'successful zine' is for you. Have you had 'write a zine' on your to-do list for years? Then just finishing is a success! Do you frequently release zines and want to up your game? Sending zines to review sites might be the definition of success.

I define success in terms of the things I can control.
I can control the quality and content of the zine I release.
I can control the methods and frequency of self-promotion.

I cannot control how many zines are purchased.
I cannot control how my zine is received.

It can be difficult to determine what a 'popular' zine topic will be but my zine making endeavours are about more than sales. I enjoy the research and creativity of zine making. For example, I recently released 'Winged Snail Naturalists' Society: Birder Beginnings' which motivated and inspired me to learn about birding which has been on my 'to-do' list for years. The personal consequences of releasing that zine is my continued interest in local birds - and that zine was a success even if I did not sell many copies!